Difference between revisions of "Karlheinz Stockhausen"

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Delia had an exploratory encounter with [[Karlheinz Stockhausen]].<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>
 
Delia had an exploratory encounter with [[Karlheinz Stockhausen]].<ref>[http://delia-derbyshire.org delia-derbyshire.org]</ref>
  
[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he gives no source for this assertion.
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[[Louis Niebur]] says that Delia admired Stockhausen's piece ''[[Gesang der Jünglinge]]'',<ref>[[Special Sound]], p.106.</ref> though he gives no source for this assertion, and one of her [[Attic Tapes]] is labelled "Stockhausen [[Electronic Study 2|Study 2]]".<ref>[[DD165]]: "Stockhausen Study 2"</ref>
  
One of her [[Attic Tapes]] is labelled "Stockhausen [[Electronic Study 2|Study 2]]".<ref>[[DD165]]: "Stockhausen Study 2"</ref>
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[[Louis Niebur]] says that Delia admired<ref>[[Special Sound]], p.106.</ref> [[Karlheinz Stockhausen]]'s 1955-56<ref name=Kohl/> piece ''[[Gesang der Jünglinge]]'', described as "the first masterpiece of electronic music",<ref name=Kohl>[https://www.jstor.org/stable/833576 Jerome Kohl, ''Perspectives of New Music''], p.61.</ref> though he gives no source for this assertion.
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[[Jonathan Harvey]] says that "the overall structure of ''Gesang der Jünglinge'' is remarkably like that of ''[[Electronic Study 2]]''; both final sections combine and develop the ideas stated in the preceding sections."<ref name=Kohl/>
  
 
=References=
 
=References=

Revision as of 15:35, 11 April 2020

Delia had an exploratory encounter with Karlheinz Stockhausen.[1]

Louis Niebur says that Delia admired Stockhausen's piece Gesang der Jünglinge,[2] though he gives no source for this assertion, and one of her Attic Tapes is labelled "Stockhausen Study 2".[3]

Louis Niebur says that Delia admired[4] Karlheinz Stockhausen's 1955-56[5] piece Gesang der Jünglinge, described as "the first masterpiece of electronic music",[5] though he gives no source for this assertion.

Jonathan Harvey says that "the overall structure of Gesang der Jünglinge is remarkably like that of Electronic Study 2; both final sections combine and develop the ideas stated in the preceding sections."[5]

References